The Marriage of Figaro
Summary
The comedy «The Marriage of Figaro» by Pierre Beaumarchais unfolds in the castle of Count Almaviva. The main character, Figaro, a servant of the Count, is preparing to marry Suzanne, the Countess's maid. However, Count Almaviva, despite being married to Rosine, attempts to seduce Suzanne. Figaro and Suzanne, along with the Countess, devise a plan to expose the Count and thwart his intentions. Through clever schemes and misunderstandings, the Count is forced to acknowledge his mistakes and seek forgiveness from the Countess. Ultimately, Figaro and Suzanne successfully marry, and the Count and Countess restore their relationship.

Main Ideas
- Critique of aristocracy and social privileges: The play mocks the privileges and abuses of power by the aristocracy, showing how the wit and cunning of a common man can overcome social barriers.
- Love and fidelity: At the heart of the plot are romantic intrigues and tests of loyalty, emphasizing the importance of genuine feelings and devotion in relationships.
- Social justice: The work raises questions of social justice and equality, challenging established norms and hierarchies.
- Power of reason and cunning: The main character, Figaro, demonstrates how intelligence and resourcefulness can help overcome difficulties and achieve success despite social constraints.
- Role of women in society: The play also touches on the status of women in society, showcasing their intelligence, strength, and ability to influence events.
Historical Context and Significance
«The Marriage of Figaro» by Pierre Beaumarchais is one of the most significant plays in 18th-century French literature. Written in 1778 and first performed in 1784, it became a symbol of pre-revolutionary sentiment in France. The play criticized the aristocracy and social injustices, making it popular among the general populace and causing discontent among the authorities. The influence of «The Marriage of Figaro» on culture is immense: it inspired Wolfgang Amadeus Mozart to create the opera «The Marriage of Figaro», which became one of the most famous operas in the world. The play also influenced the development of the comedy genre and theater as a whole, becoming a classic example of sharp social satire.
Main Characters and Their Development
- Figaro - the main character, a servant of Count Almaviva. He is clever, resourceful, and inventive. Throughout the play, he showcases his talents to overcome obstacles on his way to marrying Suzanne, his beloved.
- Suzanne - Figaro's fiancée, the maid of Countess Rosine. She is smart, determined, and devoted to her beloved. Suzanne actively participates in the intrigues to protect her honor and achieve happiness.
- Count Almaviva - the master of Figaro and Suzanne. He tries to seduce Suzanne despite being married. By the end of the play, he realizes his mistakes and seeks forgiveness from the Countess.
- Countess Rosine - the wife of Count Almaviva. She suffers from her husband's infidelity but remains noble and forgiving. In the finale, she forgives the Count and restores peace in the family.
- Cherubino - a young page in love with Countess Rosine. His naivety and youthful feelings create many comedic situations. At the end of the play, he is sent off to military service.
- Doctor Bartolo - Rosine's former guardian, who wants to take revenge on Figaro for past grievances. By the end of the play, he reconciles with Figaro and marries Marceline.
- Marceline - the housekeeper who initially wants to marry Figaro but later discovers she is his mother. In the finale, she marries Doctor Bartolo.
Style and Technique
«The Marriage of Figaro» by Pierre Beaumarchais is written in the comedy genre, combining elements of farce and satire. The style of the work is characterized by lively and dynamic dialogues, wit, and irony. The language of the play is rich with puns, wordplay, and sharp aphorisms. Literary devices include the use of masks and disguises, creating comedic situations and advancing the intrigue. The structure of the play is traditional for 18th-century comedies: it consists of five acts, each divided into scenes. At the center of the plot are the complex relationships between characters, revealed through dialogues and actions, as well as through the internal monologues of the heroes. Beaumarchais masterfully uses dramaturgical techniques such as exposition, complication, climax, and resolution to create tension and hold the audience's attention.
Interesting Facts
- «The Marriage of Figaro» is the second part of the Figaro trilogy, the first part being «The Barber of Seville», and the third «The Guilty Mother».
- The play was subject to censorship and was banned from performance for several years due to its critique of the aristocracy and social injustice.
- Figaro, the main character of the play, became a symbol of cunning, resourcefulness, and folk wisdom.
- The premiere of the play took place in 1784 in Paris and was a huge success despite initial bans.
- Mozart wrote the opera «The Marriage of Figaro» based on this play, which also became one of the most famous operas in the world.
Book Review
«The Marriage of Figaro» by Pierre Beaumarchais is a vibrant and witty comedy that continues the story of the characters from «The Barber of Seville». Critics praise Beaumarchais's skill in creating lively and memorable characters, as well as his ability to blend social satire with lightness and humor. At the center of the plot is the clever servant Figaro, who tries to navigate obstacles on his way to marrying Suzanne, the Countess's maid. The play mocks the aristocracy and its privileges, making it relevant even today. Critics emphasize that Beaumarchais succeeded in creating a work that not only entertains but also prompts reflection on social and moral issues. «The Marriage of Figaro» remains one of the most popular and frequently performed plays in world drama.